Buddha was a life altering experience for me. And that was why I had commenced on this project. It involved the local residents of a slum from Malwani in suburbs of Mumbai, many of whom had never ventured out of the geographical boundaries of that slum. Most of them had small criminal and anti-social backgrounds …
‘Water’ has been a deeply personal theme for me. I expressed it for the first time in the year 2011. The installation was created with water and discarded plastic bags. Needless to say, it was one of my most fulfilling endeavours. The installation represented the infinite blue in which we all exist, signifying the importance of water and serving as a microcosm of the earth’s bigger picture.
This installation was an extension of my lifelong passive activism against the use of plastic which, despite several attempts by responsible bodies at various levels, has grown exponentially over the last few decades. This served as a backdrop for one leg of the U-tan festival, a sociocultural meet that I had started with a few close Samaritans.
This installation was one of my earliest ‘green’ installations. The material used was 100 % organic. It served as a backdrop for live acts and as a tribute to mother earth, the mute victim to mankind’s injustice. It was a collaborative effort in which the local artists also participated.
This statement piece beckoned for a life of harmony and peace between races and nationalities which incidentally coincided with Pakistani band Junoon’s live show in Mumbai.
This magnificent creature always fascinated me. The Bull was a symbol of aggression and a unique example of the brutal force of nature. This sculpture was first featured in the Hindi film ‘Heroine’ and later traveled across India, going to numerous festivals including the Kala Ghoda festival.
Inspired by the Native American concept, I created my own version during the Kala Ghoda festival in the year 2013. ‘Totem’ expanded my personal philosophy and ideas regarding integrated living. It also included elements from Shamanic tradition and aborigine philosophy. ‘Totem’ was created mostly with organic material.
It was a statement for the modern generation that was in an intimate relationship with technology without thinking about the aftermath. Kapala or the skull always fascinated me considering the effect it had on people at a collective level. And thus my installation ‘Kapala’ became the mascot for the movement of spreading awareness through art and action. The ‘Kapala’ installation at Kalaghoda in the year 2013 was entirely created of discarded computer hardware waste material. Post this, many other variants were created and showcased at different festivals and venues in and around India.
This installation was my tribute to the heroes and innovators from around the world in the field of technology and the moral and ethically responsible use of it.
This installation was born out of my lifelong pain and empathy for trees. My entire life went by as a spectator to hundreds of tress being cut for man’s sole gain.. My own helplessness, indifference and denial prompted me to express it through art.